p. 2
Parallel Perspectives
By Joan Marter and Margaret Barlow
p. 3-41
Portraits, Issues and Insights
p. 3
Mary Cassatt’s La Lecture, The New Grandmother
By Shira Gottlieb
p. 11
Mary Cassatt, Seeking Independence, Her Early Exhibition Practice in New York and Paris
By Genevieve Westerby
p. 19
Marguerite Gérard’s Portrait of a Man And Woman in an Interior: Portraiture, Landscape and Social Networks
By Sarah Lees
p. 27
Watercolor and Women in the Early Modern Netherlands: Between Mirror and Comb
By Alison M. Kettering
p. 36
Anne Ryan: Collage Artist, Painter, Printmaker
By Olivia Armandroff
p. 42-64
Reviews
p. 42
Sofonisba’s Lesson: A Renaissance Artist and Her Work By Michael W. Cole
Reviewed by Lois M. Eliason
p. 44
The Life and Work of Rosalba Carriera (1675–1757): The Queen of Pastel By Angela Oberer
Reviewed by Rosie Razzall
p. 46
Angelica Kauffman Edited by Bettina Baumgärtel, contributions by Helen Valentine et al.
Reviewed by Wendy Wassyng Roworth
p. 49
Women in the Dark, Female Photographers in the US, 1850–1900 By Katherine Manthorne
Reviewed by Gabrielle Rose-Curti
p. 51
Hannah Ryggen: Threads of Defiance By Marit Paasche, translated by Katia Stieglitz
Reviewed by Anna Dumont
p. 53
Alice Trumbull Mason: Pioneer of American Abstraction Edited by Elisa Wouk Almino, with essays by Marilyn R. Brown et al.
Reviewed by Taylor L. Poulin
p. 56
With Pleasure: Pattern and Decoration in American Art 1972–1985 Edited by Anna Katz, with essays by Elissa Auther et al.
Reviewed by Ellen G. Landau
p. 59
Women Made Visible: Feminist Art and Media in Post-1968 Mexico City By Gabriela Aceves Sepúlveda
Reviewed by Teresa Eckmann
p. 61
Judy Chicago: New Views By Judy Chicago et al.
Reviewed by Sally Brown
p. 63
Paula Rego: The Art of Story By Deryn Rees-Jones
Reviewed by Margarida Brito Alves and Giulia Lamoni
Color Plates