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p. 1-2
Parallel Perspectives
By Joan Marter and Margaret Barlow

p. 3-35
Portraits, Issues, Insights

3 “Pictures of Flesh”: Modersohn-Becker and the Nude
By Diane Radycki

15 Making Babies, Painting Bodies: Women, Art, and Paula Modersohn-Becker’s Productivity
By Anne Higonnet

22 Paula Modersohn-Becker and the Body in Art
By Rainer Stamm

25 Left and Right: Politics and Images of Motherhood in Weimar Germany
By Michelle Vangen

32 Helen Serger’s Galerie La Boetie: Paula Modersohn-Becker on Madison Avenue
By Monica J. Strauss

p. 37-64
Reviews

37 The Invisible Flâneuse? Gender, Public Space and Visual Culture in Nineteenth-Century Paris Edited by Aruna D’Souza and Tom McDonough
Modern Women and Parisian Consumer Culture in Impressionist Painting By Ruth E. Iskin
Women in Impressionism: From Mythical Feminine to Modern Woman Edited by Sidsel Maria Søndergaard
Reviewed by Kimberly Chrisman-Campbell

42 The Color of Stone: Sculpting the Black Female Subject in Nineteenth-Century America By Charmaine Nelson
Reviewed by Lisa E. Farrington

44 Professional Pursuits, Women and the American Arts and Crafts Movement By Catherine W. Zipf
Reviewed by Pamela H. Simpson

46 Bessie Potter Vonnoh: Sculptor of Women By Julie Aronson
Reviewed by Roberta K. Tarbell

48 Modernism and the Feminine Voice: O’Keeffe and the Women of the Stieglitz Circle By Kathleen Pyne
Reviewed by Karen A. Bearor

50 Daring to Look: Dorothea Lange’s Photographs and Reports from the Field By Anne Whiston Spirn
Reviewed by Mariea Caudill Dennison

52 Eileen Gray By Caroline Constant
Reviewed by Ricki Sablove

54 Louise Bourgeois Edited by Frances Morris and Marie-Laure Bernadac
Reviewed by Rachel Epp Buller

55 Helen Frankenthaler: Painting History, Writing Painting By Alison Rowley
Reviewed by Ingrid Steffensen

58 Technologies of Intuition Edited by Jennifer Fisher
Reviewed by Bojana Videkanic

60 Liliana Porter and the Art of Simulation By Florencia Bazzano-Nelson
Reviewed By Nina Gara Bozicnik

61 Being Watched: Yvonne Rainer and the 1960s By Carrie Lambert-Beatty
Reviewed by Karen Kurczynski

Color Plates

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