p. 1-2
Parallel Perspectives
By Joan Marter and Margaret Barlow
p. 3-39
Portraits, Issues and Insights
3 Frida Kahlo and Aurora Reyes, Painting to the Voice of Concha Michel
By Dina Comisarenco Mirkin
14 Dangerous Portraits? Lotte Jacobi’s Photos of Uzbek and Tajik Women
By Rose-Carol Washton Long
24 Sally Mann, Looking at Him—An Exploration of Marital Intimacy and the Vulnerability of White Masculinity
By Ayelet Carmi
34 Vivien Collens: The Art of Serious Play
By Jared Rankin
p. 40-64
Reviews
40 Berthe Morisot By Jean-Dominique Rey; Berthe Morisot: Woman Impressionist Edited by Sylvie Patry, essays by Cindy Kang et al
Reviewed by Therese Dolan
46 City of Women: Female Artists in Vienna from 1900 to 1938 (Stadt der
Frauen: Künstlerinnen in Wein, 1900–1938) Edited by Stella Rollig and
Sabine Fellner
Reviewed by Roberta K. Tarbell
47 Kay Sage, Catalogue Raisonné By Stephen Robeson Miller, Edited by Jessie Sentivan
Reviewed by Salomon Grimberg
49 A Dream and a Chisel: Louisiana Sculptor Angela Gregory in Paris,
1925–1928 By Angela Gregory and Nancy l. Penrose
Reviewed by Gabrielle Rose-Curti
50 Anni Albers Edited by Ann Coxon, Briony Fer and Maria Müller-Scharek
Reviewed by Barbara Stehle
52 Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan,
Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement that Changed Modern Art By Mary Gabriel
Reviewed by Ellen G. Landau
53 All-Women Art Spaces in Europe in the Long 1970s Edited by Agata Jakubowska and Katy Deepwell
Reviewed by Ksenia Nouril
56 Rosana Paulino: The Sewing of Memory By Valéria Piccoli and Pedro Nery
Reviewed by Talita Trizoli
57 Joan Jonas Edited by Julienne Lorz and Andrea Lissoni
Reviewed by Liz Kim
58 Howardena Pindell: What Remains To Be Seen Edited by Naomi Beckwith and Valerie Cassell Oliver
Reviewed by Heather E. Mathews
61 Becoming Mary Sully: Toward an American Indian Abstract By Philip J. Deloria
Reviewed by Cynthia Fowler
62 We Wanted a Revolution—Black Radical Women, 1965–85: New Perspectives Edited by Catherine Morris and Rujeko Hockley
Reviewed by Deborah Frizzell
Color Plate